While I don’t know what Thomas’s father or mother looked like, his mother’s sister, Katherine (Graves) Russell of Charlestown, Massachusetts, was painted by John Singleton Copley around 1770. The portrait, at left, is in the collection of the North Carolina Museum of Art.
I was stunned, and literally stopped in my tracks! I knew that Copley often painted his subjects in dresses copied from other artists’ work (especially for his American customers who wished to be painted in fancier English fashions than they personally owned), but I didn’t know that he used the exact same pose for multiple sitters. It’s hard for me not to feel that one of these ladies got ripped off, and I think it was Thomas Cary’s aunt.[2]
[1] According to the portrait’s description, Mercy (Gorham) Bourne was born in 1695 and died in 1782, and sat for this painting three years after her husband’s death. The couple lived in the village of Barnstable, on Cape Cod, and had eleven children.
[2] To my eye, the nail heads on the chair look more differentiated in the portrait of Mercy Bourne; those in the picture of Katherine Russell are simple dots repeated at regular intervals. “Lazy painter!” was the comment of a friend who majored in art history.
[3] The museum’s website [www.mfa.org] states that it’s uncertain whether the name long attached to this painting is accurate, since no one bearing the name Tiffen appears in the census for East Kingston during the corresponding period.